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Five Florida arts educators chosen for STARs residency

This month, five Florida public school arts teachers are spending part of their summer breaks on Manasota Key working on their own artistic endeavors. They are the winners of the 2020 State Teacher/Artist Residency program (STARs), presented by the Hermitage Artist Retreat and the Florida Alliance for Arts Education (FAAE). This year’s recipients include three visual arts instructors, a library media specialist, and a creative writing and English teacher. The five receive a residency at the Hermitage on Manasota Key, where they have the opportunity to leave their classroom responsibilities behind and focus on their work as creative artists.

“These brilliant teachers are also talented artists in their own right,” says Andy Sandberg, Artistic Director and CEO of the Hermitage. “During the academic year, their attention is devoted to their students, and this past semester has been particularly challenging for educators throughout our nation. The STARs program gives five distinguished teachers the opportunity to experience what leading artists from around the world have come to the Hermitage for – to focus on their craft, their art, and their creative process. Over the years, the STARs have created some truly stunning works of art and literature during their time at the Hermitage. Many teaching artist alumni have shared that this program enables them to return to their students with a new fire and passion for arts education.”

The chosen five are Daniela Drazan, a library specialist at Horizon Academy at Marion Oaks in Ocala; Gláucia Mir, a visual art, drawing and sculpture instructor at Liberty High School in Kissimmee; Joy Williams, a drawing, painting and ceramics instructor at North Fort Myers High (Center for the Arts) in Fort Myers; Tara Salovitz, an English and creative writing instructor at Port Charlotte High School in Port Charlotte; and Lucia Morales, a visual art instructor at Jose Marti MAST 6-12 Academy in North Miami Beach.

Florida arts educators apply for the Hermitage summer residencies through FAAE. Applications are open to all Florida music, theater, visual art, and creative writing teachers. Since the start of the program in 2011, 48 teachers have represented 21 Florida counties. Residencies culminate with a free community program; due to coronavirus, this year’s programs will be captured virtually and presented at a future date.

A Czech immigrant, Daniela Drazan has worked at the Library of Congress, taught English in Japan, conducted market research in the Czech Republic, and sang in a nightclub. She says that these experiences infuse and inspire her literary work. She hoped to write more and achieve publication but “like for many of us, work and family pushed aside the dream.” During her residency at the Hermitage, she hopes to continue work on a novel she’s started. “At five pages a day at the minimum, it might just be possible to complete the first draft, especially with a residency that provides the time and space for contemplation as well as productivity,” says Drazan.

Brazilian-born mixed media artist Gláucia Mir spent her childhood in São Paulo and her teens and 20s in New York City. Later she lived in the bucolic Bucks County, in Pennsylvania and now she calls Central Florida home. Her background in illustration and her gusto for adventure means her artwork often tells a story. Mir says she “thrives in the knowledge that my art can bring joy, questions or even disturb the viewer.” During her residency at the Hermitage, she plans on “delving into a set of works inspired by the ‘Mapping Vulnerability’ works that I began during my final graduate capstone project. My first set of works consisted of ink wash and mixed-media paintings which together made one large body of work. I would like to continue experimenting by using white on black to create a second set.” She adds that she would also like to read and listen to audiobooks and podcasts—something she rarely has time for. Finally, she says “I am my own worst enemy in settling down to work, because I let interruptions become my excuses. This time alone will let me focus and get to work.”

Joy Williams says that her art is inspired by Robert Rauschenberg, who told her that his mission is to “ennoble the ordinary.” “Our conversation inspired me to crystalize the message of my own work,” says Williams. “My objective is to offer an aesthetic of flowing ‘waves of joy’ in contrast to the angst of modern life.” The artist and teacher says she hopes to continue creating “art that concerns our worldwide need for clean water and clean oceans. I would like to continue this theme but expand mediums to work with printmaking and sculpture, incorporating objects found on location at the Hermitage. While I will take a stroll on the beach or a kayak in the mangroves, I will also be able to work well into the wee hours of the night as my muse calls.”

Tara Salovitz has already self-publisheda novel and says she will spend her time at the Hermitage to work on a young adult novel that she’s already begun. “It’s the story of two extraordinary sisters who are on a treacherous journey across the country in order to fulfill their destiny. The book is to be the first in a trilogy. I would strive to write or work on some aspect of my writing for at least eight hours a day.” Salovitz says that she also hopes to spend her time at the Hermitage reading books about her craft. “As a novice writer, I try to learn as much as I can from experts,” she says. “As for the rest of my time, I would like to take a walk and perhaps go for a swim every day; hopefully, the fresh ocean air and physical activity would stimulate my imagination as well as sustain me through long hours of work.”

Originally from Lima, Peru, Lucia Morales says she derives great inspiration from her heritage. Leaving her home and family in Peru has also shaped her art in ways she’s still discovering. “Through dance and painting I feel that I can maintain the connection to my heritage and explore new pathways of the relationships that those who leave home come to form with their new one,” she says. During her residency, she hopes to “use the time and location as a catalyst for my creative process. A place and time to continue the introspection that I simply cannot continue as a busy art educator during the school year, and the perfect scenery to continue studying nature, light and composition through plein-air painting.”

“We look forward to seeing what this latest group of STARs will create,” says Sandberg. “It is an honor to celebrate Florida’s top arts educators, and we are grateful to the Florida Alliance for Arts Education for their continued collaboration.”

Pictured left to right, the 2020 Hermitage Artist Retreat STARs: Daniela Drazan, Lucia Morales, Tara Salovitz, Gláucia Mir, and Joy Williams.

Hermitage meets $150,000 matching challenge, achieves first million-dollar fiscal year

Andy Sandberg, Artistic Director and CEO of the Hermitage Artist Retreat, today announced that the Hermitage has exceeded its $150,000 matching challenge, raising a total of $302,000 through this campaign in response to COVID-19. This spring fundraising initiative launched with a generous $100,000 pledge from the Manasota Key-based Cook family on April 7^th to match every gift dollar-to-dollar through June 30^th. The original $100,000 challenge was met in just four weeks, and an additional group of Hermitage supporters contributed $50,000 to extend the match. On Tuesday, June 30^th, the Hermitage surpassed its goal.

“We cannot express our gratitude enough to everyone who helped us reach this milestone,” Sandberg stated. “I must recognize that this campaign was supported generously by all members of our community: our Hermitage Fellows and artists, our audiences, our longtime supporters, our artistic colleagues, the community foundations, our board of trustees, our staff, our volunteers, and many new champions of the Hermitage.”

In addition, the funds raised through this campaign enabled the organization to achieve its first million-dollar fiscal year, which concluded on June 30^th.

“The generosity of our artists, our donors, and our community has helped to ensure the future of this truly vital institution. Without this essential support for artists and the creative process, without this space and freedom to shape and develop great works of the future, we would be staring down empty stages and empty pages long past the ramifications of any virus. No doubt, there are still many question marks and challenges ahead, but together, we can continue to support bold, impactful, and diverse works of art, theater, music, literature, and more that feed our souls and shape our cultural landscape.”

Watch Sandberg’s video thank you message here.

The Hermitage resumes its core residency operations this week, commencing with the STARS teaching artist program, in partnership with the Florida Alliance for Arts Education. The organization has implemented a number of social-distancing practices and policies to ensure the safety of artists, staff, and guests. Invitations have recently been issued by the Hermitage Curatorial Council for the 2020-2021 season. Hermitage Fellows will continue to engage in free community programs, and a number of these will be made available digitally until live programs resume.

Artists returning to Hermitage Artist Retreat

by Jay Handelman, Sarasota Herald-Tribune, July 3, 2020

Like so many other arts organizations and businesses across the country, the Hermitage Artist Retreat essentially shut down in March as the coronavirus began to spread. But staff and work crews have been busy making adjustments to allow a variety of writers, visual artists, musicians and others to start returning this month.

The retreat, a collection of buildings and historic cottages on Manasota Key, provides a temporary home for artists to develop new projects or just to get away from the everyday work and life issues that get in the way of the creative process.

Hermitage fellows, who are selected by a curatorial council of experts in the performing, visual and literary arts, stay in historic but private cottages on the beach. They have sleeping and studio space and areas where they can talk or share meals with other artists also staying there.

“We are fortunate in the way the campus is set up in that it is naturally built for social distancing,” said Andy Sandberg, who took over last fall as the organization’s artistic director and CEO.

During the downtime, the cottages were enhanced to include individual refrigerator freezers, microwaves and toaster ovens to make it possible for artists to work and eat without having to share a communal kitchen for meals.

They will still be able to meet with other artists in outdoor settings, which health officials say is generally a safer environment and reduces the risk of spreading the virus.

“Unfortunately, they can’t have that kitchen huddle experience at the moment, but we’re finding ways to get our artists together socially,” Sandberg said. Typically, new groups of artists are treated to a welcome beach dinner and Sandberg said the staff is working out safe seating arrangements for such events.

The schedule of artists slated to visit Englewood had to be reset because of the closure. Artists are generally offered up to six weeks over a two-year period for their residencies. They also are required to take part in at least two public programs during their residency, sometimes done in conjunction with other area arts organizations.

Sandberg said that part of the program also is being reevaluated and may temporarily incorporate more online events, conversations and discussions, or presentations outdoors on the beach.

“Audiences have indicated their comfort in doing things outdoors as something they might do sooner rather than huddling inside,” he said.

Helga Davis, the 2019 winner of the Greenfield Prize, which is administered by the Hermitage, and curator Eric Booth, one of the curatorial council members, recently spent time on site “to tell us what’s working and how to best exercise these practices,” Sandberg said.

Residencies resume this week with the annual visit of Florida arts educators selected through the State Teacher/Artist Residency program. “They are sort of the beginning of our new season,” Sandberg said.

The Hermitage Curatorial Council, made up of 14 distinguished arts leaders from across the country, is compiling updated lists of people they recommend for residencies. Artists do not apply for stays at the Hermitage.

Among the council artists are Booth, a leader in arts education in the nation; Valerie Cassel Oliver [pictured], the curator of modern and contemporary art at the Virginia Museum of Fine Arts; flutist Claire Chase; Christopher Burney, artistic director of New York Stage and Film at Vassar; Emily Mann, the playwright and director who recently ended a long tenure as artistic director of the McCarter Theatre Centre in Princeton, N.J.; and Robert Spano, music director of the Atlanta Symphony Orchestra.

“They shape everything we do here” by selecting new lists of fellows, said Sandberg. “They are experts in their field and they have a commitment to identifying artists who are creating bold, dynamic and diverse work.”

The Hermitage has increased its budget to more than $1 million annually (from about $750,000), and the organization received some significant contributions toward meeting that goal, including $300,000 through a couple of matching gift challenges.

That money helped to make up some of the revenue the organization lost from the cancellation of its annual Greenfield Prize weekend dinner and related events in the spring. It has announced that its yearly Artful Lobster picnic will be held Nov. 14 on the Hermitage grounds, and the next Greenfield Prize Dinner is scheduled for April 11 at Michael’s On East.

Sandberg said the budget was increased because the Hermitage plans to expand its programming staff while providing more opportunities for collaborations with area arts organizations and for the public to meet visiting fellows and better understand how the organization works.

One of those new collaborations was announced last week. “UNSCRIPTED: Arts from the Inside Out,” a partnership with the Van Wezel Foundation, will give audiences an inside look at the creative process as shared by Hermitage fellows from around the world.

Sandberg said the audience will never know “exactly what to expect or what they will experience, creating a sense of mystery and anticipation for each gathering.”

The series is expected to begin this summer with initial programs offered as a bonus to Hermitage and Foundation supporters. Some performances will be made available for streaming online to the public.

ETHEL quartet puts “Circus,” conceived at Hermitage, online

This article appeared in the Sarasota Herald-Tribune on May 3, 2020.

Sarasota’s circus heritage and photos from The Ringling archives provided the inspiration for the world premiere of “Circus: Wandering City” by the string quartet ETHEL at Historic Asolo Theater in 2018.

The production, which The Ringling co-commissioned with the Brooklyn Academy of Music’s 2018 Next Wave Festival, was presented for a weekend in Sarasota in January 2018. But now, the acclaimed quartet is making it available for streaming for free while the museum and live performance venues are shut down.

“Circus: Wandering City” will be available beginning at 3 p.m. Friday at ethelcentral.org. It also can be viewed through The Ringling’s website, Ringling.org or its social media sites.

The performance incorporates hundreds of images from the Ringling’s Circus Museum archives, which are set to original compositions by quartet members, who were inspired by the photos.

The idea for a circus-themed show came in 2015 when the ensemble members had a residency at the Hermitage Artist Retreat and performed their show “Documerica,” which was inspired by photos of environmental disasters from the Environmental Protection Agency’s files.

Dwight Currie, who was then Ringling’s curator for performance, suggested that Ringling’s circus photos might inspire a similar but different performance.

“I was just saying how evocative I find the images in the circus archives, and very little of it is actually on exhibit,” Currie told the Herald-Tribune before the 2018 premiere. “It’s just so foreign you just can’t help but imagine this and that. I said, how great would that be?”

The ensemble members agreed.

Cellist Dorothy Lawson said the “subject of the circus is so full of the highest and deepest aspirations of the human spirit.”

The performance is a collection of vignettes performed by Lawson, Ralph Farris on viola and violinists Kip Jones and Corin Lee.

Herald-Tribune music critic Gayle Williams described it as an “immersive, nonstop rollout of an extraordinary docu-music-theater experience,” adding that it is “an incredibly imaginative creation owing to the vision and talents of an entire team of collaborators.”

Hermitage receives $100,000 matching pledge in response to COVID-19 crisis

At a time when arts groups are facing financial challenges because of revenue losses triggered by the coronavirus, the Hermitage Artist Retreat is getting some extra support.

The Cook family, neighbors and supporters of the artist retreat on Manasota Key, have committed to matching all donations to the organization up to $100,000 through June 30.

“Rebecca Cook and her brother, Warren Cook and their family have been part of the Hermitage family and they really believe in the community and the mission of what we do on both the artistic side and the preservation of the land and nature,” said Andy Sandberg, the artistic director and CEO of the Hermitage.

The fundraising period for the matching grant covers this year’s 24-hour Giving Challenge, scheduled for noon April 28 to noon April 29, when the Patterson Foundation will also match the first $100 of every donation to any registered nonprofits.

“If someone gives $100, that gift will turn into $300 because it will be matched by both the Cooks and the Patterson Foundation,” Sandberg said. “We hope in a tricky time with the virus that this special gift will inspire people to get involved. If the creative process is stalled and isn’t allowed to find a way forward, it will be hard to find a way to production and performance and publication.”

The Hermitage owns several beachfront cottages where playwrights, composers, choreographers, painters and other artists are invited to spend six weeks over two years working on projects or just using the time to clear their minds. They are required to take part in two public programs during their residency.

The list of Hermitage fellows includes Pulitzer Prize winners, MacArthur Fellowship award winners, as well as winners and nominees of Tony, Emmy, Grammy and Academy awards.

The Hermitage also administers the annual Greenfield Prize, which provides a $30,000 commission to visual artists, playwrights and composers on a rotating basis. The virus forced the Hermitage to cancel this year’s Greenfield Prize weekend, which annually generates donations and attention.

“The visibility of our program is what inspires people to get behind the organization, and the Greenfield weekend is a big contributor to that,” Sandberg said.

Some past Hermitage fellows have reached out to the organization and offered testimonial videos of support.

Doug Wright, the Pulitzer Prize-winning playwright of “I Am My Own Wife,” said the Hermitage afforded him “solace, hospitality, and natural beauty to write. I was able to sit with my thoughts and forge them like raw clay into something approximating art — that’s the great gift of the Hermitage.”

And director and playwright Emily Mann, longtime artistic director of the McCarter Theatre in Princeton, N.J., describes the Hermitage as “one of my favorite places on earth.” Mann said this is a time to reflect on why art matters and the Hermitage “lets artists dream and think deeply about the truth.”

Sandberg said the staff and board of the Hermitage is aware that the vital and impactful work of the artists who spend time at the retreat “may seem less urgent when compared to the matters of life and death amidst this horrible pandemic. Still, the arts and the creative spirit are part of what make our lives so meaningful and special.”

He said the staff is working on programming and residencies for artists to spend time on Manasota Key for the 2020-21 season.

“We are planning with the same momentum as other organizations that are announcing new seasons, and we are still strategizing for the future and how we can rise stronger than ever on the other side of this.”

This article appeared in the Herald-Tribune, April 12, 2020.

Hermitage cancels upcoming public programs and Greenfield Prize Weekend

Andy Sandberg, the artistic director and CEO of the Hermitage Artist Retreat, announced that the organization is canceling this year’s Greenfield Prize Weekend, which was scheduled for April 18 and 19, 2020. This year’s celebration was scheduled to begin with a world premiere reading of a new play by the Pulitzer Prize-winning playwright and 2018 recipient of the Greenfield Prize Martyna Majok (at the Asolo Rep). The weekend also included the “Artist Talk: The Work and Influences of Jennifer Packer” (at Sarasota Art Museum) with the 2020 Greenfield Prize recipient, visual artist Jennifer Packer. The organization’s signature fundraising event, the Greenfield Prize Dinner, scheduled for Sunday, April 19, is also cancelled, with plans to recognize Jennifer Packer at a future date to be determined. In addition, the organization is suspending its free community programs in April.

“In light of coronavirus concerns and in coordination with the Greenfield Foundation, we felt it was prudent to cancel all events pertaining to this year’s Greenfield Weekend, and move ahead with a scaled-back version of the award presentation in the months ahead when the situation has calmed down,” says Sandberg. “We have been in communication with this year’s Greenfield Prize winner, Jennifer Packer, who has been extremely gracious and understanding. We are also coordinating with the Asolo Rep to find a future date for Martyna Majok’s reading, and we look forward to welcoming both of these extraordinary artists back to Sarasota.”

Sandberg says that canceling one of the organization’s largest and most recognizable events could have a serious financial impact. “So many of our fellow arts leaders have had to make the same difficult decisions. In a time of crisis like this, non-profit arts organizations are often some of the hardest hit, and the support of our generous donors and patrons is more critical and meaningful than ever.”

Jennifer Packer wins 2020 Greenfield Prize

The Hermitage Artist Retreat, in collaboration with the Greenfield Foundation, has selected New York-based artist Jennifer Packer as the winner of the 2020 Greenfield Prize, given this year in the field of visual art. Packer will receive a six-week residency at the Hermitage and a $30,000 commission for a new work, which will premiere in Sarasota in 2022 with the Hermitage’s presenting partner, The John & Mable Ringling Museum of Art.

Jennifer Packer creates expressionist portraits, interior scenes, and still lifes that suggest a casual intimacy. Packer views her works as the result of an authentic encounter and exchange. The models for her portraits—commonly friends or family members—are relaxed and seemingly unaware of the artist’s or viewer’s gaze. Packer’s paintings are rendered in loose line and brush stroke using a limited color palette, often to the extent that her subject merges with or retreats into the background. Suggesting an emotional and psychological depth, her work is enigmatic, avoiding a straightforward reading. “I think about images that resist, that attempt to retain their secrets or maintain their composure, that put you to work,” she explains. “I hope to make works that suggest how dynamic and complex our lives and relationships really are.”

A Lesson in Longing, 2019, oil on canvas, 108 x 144 inches

Born in 1984 in Philadelphia, Packer received her BFA from the Tyler University School of Art at Temple University in 2007, and her MFA from Yale University School of Art in 2012. She was the 2012-2013 Artist-in-Residence at the Studio Museum in Harlem, and a Visual Arts Fellow at the Fine Arts Work Center in Provincetown, MA, from 2014-2016. Packer currently lives and works in New York and is an assistant professor in the painting department at RISD.

Packer will receive her award at the Greenfield Prize Award Dinner on Sunday, April 19, 6 p.m., at Michael’s On East, 1212 East Avenue South, in Sarasota.

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