by Jay Handelman, Sarasota Herald-Tribune, July 3, 2020
Like so many other arts organizations and businesses across the country, the Hermitage Artist Retreat essentially shut down in March as the coronavirus began to spread. But staff and work crews have been busy making adjustments to allow a variety of writers, visual artists, musicians and others to start returning this month.
The retreat, a collection of buildings and historic cottages on Manasota Key, provides a temporary home for artists to develop new projects or just to get away from the everyday work and life issues that get in the way of the creative process.
Hermitage fellows, who are selected by a curatorial council of experts in the performing, visual and literary arts, stay in historic but private cottages on the beach. They have sleeping and studio space and areas where they can talk or share meals with other artists also staying there.
“We are fortunate in the way the campus is set up in that it is naturally built for social distancing,” said Andy Sandberg, who took over last fall as the organization’s artistic director and CEO.
During the downtime, the cottages were enhanced to include individual refrigerator freezers, microwaves and toaster ovens to make it possible for artists to work and eat without having to share a communal kitchen for meals.
They will still be able to meet with other artists in outdoor settings, which health officials say is generally a safer environment and reduces the risk of spreading the virus.
“Unfortunately, they can’t have that kitchen huddle experience at the moment, but we’re finding ways to get our artists together socially,” Sandberg said. Typically, new groups of artists are treated to a welcome beach dinner and Sandberg said the staff is working out safe seating arrangements for such events.
The schedule of artists slated to visit Englewood had to be reset because of the closure. Artists are generally offered up to six weeks over a two-year period for their residencies. They also are required to take part in at least two public programs during their residency, sometimes done in conjunction with other area arts organizations.
Sandberg said that part of the program also is being reevaluated and may temporarily incorporate more online events, conversations and discussions, or presentations outdoors on the beach.
“Audiences have indicated their comfort in doing things outdoors as something they might do sooner rather than huddling inside,” he said.
Helga Davis, the 2019 winner of the Greenfield Prize, which is administered by the Hermitage, and curator Eric Booth, one of the curatorial council members, recently spent time on site “to tell us what’s working and how to best exercise these practices,” Sandberg said.
Residencies resume this week with the annual visit of Florida arts educators selected through the State Teacher/Artist Residency program. “They are sort of the beginning of our new season,” Sandberg said.
The Hermitage Curatorial Council, made up of 14 distinguished arts leaders from across the country, is compiling updated lists of people they recommend for residencies. Artists do not apply for stays at the Hermitage.
Among the council artists are Booth, a leader in arts education in the nation; Valerie Cassel Oliver [pictured], the curator of modern and contemporary art at the Virginia Museum of Fine Arts; flutist Claire Chase; Christopher Burney, artistic director of New York Stage and Film at Vassar; Emily Mann, the playwright and director who recently ended a long tenure as artistic director of the McCarter Theatre Centre in Princeton, N.J.; and Robert Spano, music director of the Atlanta Symphony Orchestra.
“They shape everything we do here” by selecting new lists of fellows, said Sandberg. “They are experts in their field and they have a commitment to identifying artists who are creating bold, dynamic and diverse work.”
The Hermitage has increased its budget to more than $1 million annually (from about $750,000), and the organization received some significant contributions toward meeting that goal, including $300,000 through a couple of matching gift challenges.
That money helped to make up some of the revenue the organization lost from the cancellation of its annual Greenfield Prize weekend dinner and related events in the spring. It has announced that its yearly Artful Lobster picnic will be held Nov. 14 on the Hermitage grounds, and the next Greenfield Prize Dinner is scheduled for April 11 at Michael’s On East.
Sandberg said the budget was increased because the Hermitage plans to expand its programming staff while providing more opportunities for collaborations with area arts organizations and for the public to meet visiting fellows and better understand how the organization works.
One of those new collaborations was announced last week. “UNSCRIPTED: Arts from the Inside Out,” a partnership with the Van Wezel Foundation, will give audiences an inside look at the creative process as shared by Hermitage fellows from around the world.
Sandberg said the audience will never know “exactly what to expect or what they will experience, creating a sense of mystery and anticipation for each gathering.”
The series is expected to begin this summer with initial programs offered as a bonus to Hermitage and Foundation supporters. Some performances will be made available for streaming online to the public.
