Missy Mazzoli earns Grammy nomination

Missy Mazzoli’s “Vespers for Violin” has been nominated for a Grammy in the category of Best Classical Composition.

Missy was also recently deemed “one of the more consistently inventive, surprising composers now working in New York” (The New York Times) and “Brooklyn’s post-millennial Mozart” (Time Out New York). Her music has been performed all over the world by the Kronos Quartet, eighth blackbird, pianist Emanuel Ax, Opera Philadelphia, LA Opera, Cincinnati Opera, New York City Opera, Chicago Fringe Opera, the Detroit Symphony, the LA Philharmonic, the Minnesota Orchestra, the American Composers Orchestra, JACK Quartet, cellist Maya Beiser, violinist Jennifer Koh, pianist Kathleen Supové, Dublin’s Crash Ensemble, the Sydney Symphony and many others.

Photo by Marlene Mey

Works by Regina Scully on display through December

Small paintings and works on paper by New Orleans visual artist Regina Scully are on view in the Hermitage Palm House from 10:00 a.m. to 3:00 p.m. Monday through Friday, through December. Admission is free.

Regina lives and paints in the Holy Cross neighborhood of New Orleans, Louisiana. She was the recipient of the 2017 Louis Comfort Tiffany Foundation Grant Award. Scully’s artwork is showcased in a host of private and public collections, including the Microsoft Art Collection, the Frederick R. Weisman Art Foundation Collection, and the New Orleans Museum of Art.

Composer Sid Richardson wins the 2018 Hermitage Prize

The Hermitage Artist Retreat and The Aspen Music Festival and School (AMFS) announce that Sid Richardson (pictured above right), a composition student at AMFS, has been awarded the 2018 Hermitage Prize. Richardson receives a six-week residency at the Hermitage, along with a $1,000 stipend for travel and food expenses. Richardson was selected by a jury that included Alan Fletcher, AMFS president and CEO; Robert Spano, music director of AMFS and the Atlanta Symphony; and the composition faculty of AMFS.

Bruce Rodgers (pictured above left), the executive director of the Hermitage, says that the partnership with AMFS has been tremendously rewarding over the past six years. First awarded in 2013, the Hermitage Prize is given to a promising composer who is enrolled as a composition student at AMFS. Rodgers explains that the residency is the only one the Hermitage grants to an artist who is just embarking on his career. “The Hermitage supports mid-career artists of every discipline who are immersed in their careers,” he says. “This is the one time we welcome an artist at the very beginning of his career. But the bottom line is that both organizations share the same goal—to nurture world-class artists. These students are already on their way to impressive careers with a multitude of recognized work under their belts.”

Richardson earned his Ph.D. in composition in the Department of Music at Duke University in Durham, North Carolina. He also holds degrees from Boston Conservatory and Tufts University. He received the Roger Sessions Memorial Composition Award upon graduating from the Boston Conservatory, and the Outstanding Achievement Award from Tufts University’s Department of Music. Richardson has collaborated on compositions with such artists as Conrad Tao, yMusic, the Da Capo Chamber Players, Deviant Septet, and Amarcord.

Richardson says that winning the Hermitage Prize is “an affirmation of my musical explorations. I can’t think of a greater opportunity for a young artist than to be given time, space, and a community of like-minded individuals within which to work.” He adds that he hopes to continue to, “explore the intersections of music and literature in regard to musical form—and to engage with new genres and media. My stay at the Hermitage will prove an important stage in my development as a composer.”

“We never know what will take place during a residency,” Rodgers says. “If the Hermitage Prize winner shares a residency with an established composer it’s usually someone they have heard of and admire. The organic process that occurs when artists interact with each other on our campus is a remarkable thing to observe. We look forward to welcoming Sid and doing everything we can to ensure that he has a successful and productive residency.”

Historic beachside property tours offered in September

The Hermitage Artist Retreat is offering historic beachside property tours, Friday, September 7, at 10 a.m.; Friday, September 14, at 10 a.m.; and Friday, September 21, at 6 p.m.  These free, one-hour walking tours explore the property’s colorful history and offer up-close views of the 106-year-old main building and four other historic structures that now serve as live-work spaces for visiting artists. Reservations are required and only available through email at reservations@hermitageartistretreat.org.

According to Bruce Rodgers, the Hermitage’s executive director, the Hermitage is a thriving oasis of living history and natural splendor. “Artists from around the world draw inspiration from this special location,” he says. “These unique structures have survived more than 100 years despite Mother Nature’s harshest tests. We’ll share engaging stories of the colorful characters and artists who’ve stayed here.” He adds that the tour begins with a video overview of the retreat.

The Calusa Indians were the original inhabitants of the site; their heritage lives on in the many middens and archeological sites in the area. In 1907, Swedish immigrant Carl Johansen bought a parcel to build a homestead for his family. The Johansens moved out in 1916; their house sat vacant into the 1930s, when it became a nudist resort called The Sea Island Sanctuary. After that, the property exchanged hands several times until, in the early 1990s, writer Ruth Swayze and her daughter, Carroll, an artist, spearheaded a community effort to save the buildings from beach erosion. At the time, Patricia Caswell was the executive director of the Sarasota County Arts Council, the organization that ultimately leased the property from the county in 2000 to turn the buildings into the Hermitage Artist Retreat.

Caswell is now the Hermitage’s co-founder and program director. She says that tours of the Hermitage have been popular in the past.  “If these tours sell out, we plan to add more. It’s our delight to share this heritage with as many people as possible.”

Ringling Museum/Hermitage Partnership

The Hermitage is proud of a new partnership with the John and Mable Ringling Museum of Art in Sarasota. This extensive agreement will bring Hermitage artists to the grounds of the Museum as resident artists staying in the newly restored Ringling Cottage new the Ca d’ Zan mansion. The residency will be known as the Gulf Coast Community Foundation/Hermitage Residency at the John and Mable Ringling Museum of Art.

The Hermitage Artist Retreat is pleased to announce a partnership with The John and
Mable Ringling Museum of Art, which will establish a residency for a Hermitage Fellow
on the museum grounds. The Gulf Coast Community Foundation/Hermitage Residency at
The John and Mable Ringling Museum of Art is named to commemorate the Gulf Coast
Community Foundation’s financial support in the renovation of the Ringling Cottage
wherein the residency will be housed. As with all Hermitage Fellows, the artist or artists
will have up to six weeks time to work in this prestigious location. Also, as with all
Hermitage Fellows, the artist(s) will present two community “give-back” programs.
“When The Ringling Museum contacted us about this possibility, we were very
excited,” remarked Executive Director Bruce E. Rodgers. “Our campus on Manasota Key
has five buildings and about the same number of work spaces. This gives us the
opportunity to expand our live/work space without any capital investment. It also allows
us to accommodate another world-class artist who we will be able to share with the

Unlike the artists invited to the Manasota campus that may or may not be working
on a specific project, it is expected that the Gulf Coast Community
Foundation/Hermitage Residency at The John and Mable Ringling Museum of Art will
be offered to artists working on projects that can benefit by living and working on the
Museum grounds. Those projects might be directly related to Ringling collections,
exhibitions, and programs, or there may be a tangential connection as to studies in
history, social sciences, architecture, etc. There are many reasons to be inspired by the
setting of The Ringling Museum campus.

“This is a remarkable situation between three organizations that collectively
understand the important contribution that art makes to our lives,” commented Dwight
Currie, Interim Deputy Director of Collections, Exhibitions and Programs for The
Ringling Museum. “While it is our mission to preserve and enhance an appreciation of
art, we are not often actively involved in its creation. The new partnership with the
Hermitage affords us that role. And it goes without saying how much we appreciate the
generous support of our donors and organizations like the Gulf Coast Community
Foundation who make it possible for us to provide our services to the community. The
Museum is proud to join these two outstanding organizations in creating this

The first Gulf Coast Community Foundation/Hermitage Resident will be the
writer Steve Kuusisto. Kuusisto is a past Hermitage Fellow. He is a writer who writes
about experiencing life as someone with a disability; he has been blind since birth.
During his residency from January 17 to February 27, 2011, he will be adding to his ongoing
research into the relationship between the circus and people with disabilities. As
part of the residency program, the public is invited to attend a presentation to be given by
Kuusisto on Saturday, February 19, 2011 in the Circus Museum.

“The museum and all of its resources are very unique assets which we can now
offer to our renowned group of artists,” Rodgers continued. “Our selection committee has
been charged with submitting names of artists who will benefit from this type of
experience, which will be quite different from being on the Manasota Key campus. We
are very excited to be adding this unique artistic experience to our program.”